Commando Assault

Author: R. Charlett
Publisher: Horwitz Publications
Published: 1965
Book No: 1

A few months ago, I reviewed an action adventure novel called Commando Raid, written by R. Charlett, featuring rugged soldier, Captain ‘Pearly’ Gates. It was published by Horwitz Publications which was an Australian Publisher that put out a whole swag of pulp novels by Australian authors. These books are all but forgotten now, and information on them is very hard to find.

Commando Raid was listed as being book No. 3 in a series. I assumed it had simply been number three in a whole series of war stories by different authors. But now I have tracked down another book by R. Charlett, it is Commando Assault – and it is listed as being book No. 1. I draw two conclusions from this. The first is, quite obviously, Commando Assault was published before Commando Raid. The second, which is more of a guess, is that there is a another book by Charlett which is No. 2 in the series, and most likely has ‘Commando’ in the title. If you happen to find it, or know of it, drop me a line.

Commando Assault is another rattling ‘men on a mission’ boys own adventure – and unlike many other war themed novels released by Horwitz at the time, it doesn’t dwell on the dirty, almost torture porn, aspect of the stories. From what little I have read (and therefore I am liable to change my opinion as my knowledge base grows), most of the Horwitz war titles were set in war time prison camps, with the Aussie prisoners copping a terrible beating from their captors (usually Japanese). The books were more tales of survival, rather than outright heroics.

Charlett’s books don’t appear to be like that. They could by slotted next to Alistair MacLean’s Where Eagles Dare or The Guns of Navarone in your book shelf. There’s nothing offensive here – beyond a few bigoted racial stereotypes. But that was the norm, for the time that the book was written, and even then, it’s pretty mild.

The blurb:

“Take no prisoners,” Captain Gates had been ordered before he and his small Commando unit were dropped behind enemy lines. In their kill-or-be-killed situation they found it easy to obey this order – until the day they were forced to shoot up a Japanese ambulance. There was a lone survivor: a pretty young Japanese nurse. If they let her go there was no doubt she would betray their presence to the enemy. The alternative was to kill her in cold blood.

Even tough, ruthless “Pearly” Gates found it one of the hardest decisions of his entire professional soldiering career.

The enjoyment in finding these old books, for me, comes from the fact they are Australian stories. Unlike the aforementioned Alistair MacLean, when the characters in Commando Assault talk about home – it’s about a home that I can relate to.

As a quick example, there is a passage where the soldiers are discussing the practicalities of making love to a woman in a foxhole. One soldier suggests that it should be possible, as he had managed to make love in the tiny confines of a pre-war Fiat automobile. However, he did concede that the woman involved was a contortionist, playing a season at the Tivoli Theatre in Melbourne.

In the context of the story, the passage is not particularly important – simply a bit of banter between the characters. But to me, it is more resonant than a passage about a soldier pining for his dusky blonde sweetheart waiting for him in Cincinnati or Oklahoma.

As I have said before, and will no doubt say again, it is a shame, that this part of Australia’s literary heritage is disappearing so fast. As a medium, the popular fiction of the day, tells us a lot about the people and the times – and in that context, even the most trashy novel is of value.

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Jimmy Carruthers v Vic Toweel

This footage is pretty old, but, and please forgive the parochialism, but shows Australian Jimmy Carruthers fighting Vic Toweel for the World Bantam Weight Title in 1952.

At the time, Carruthers was very much the underdog – and most people expected an easy win for Toweel. But, as this footage shows, somebody forget to tell Carruthers that he was supposed to be a walk over.

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Boxing Posters 1

A cavalcade of boxing posters, from the MovieGoods website.

May sees the launch of King of the Outback, the sixth book in the popular Fightcard series – and my literary debut (writing as Jack Tunney). Accordingly, in a month long celebration, Permission to Kill will be looking back and some of the highlights – and lowlights – of boxing in film and literature – and in music too.

For an up-to-date direct connection with the Fightcard series check out the home page, or for you youngsters, you can follow the Facebook Fan Page.

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Kid Gloves: Rory Gallagher

Rory GallagherI am a big fan of Irish blues guitarist, Rory Gallagher – particularly the album Irish Tour ’74, which I have played to death.

Gallagher loved pulp fiction, and many of his songs are like little slices of pulp – covering everything from spies to, well, you guessed it – boxing!

The song, Kid Gloves, from the album, Fresh Evidence 1990, was inspired by John Huston’s film, Fat City.

Here are the lyrics:

Hit me…

They sprung me out of Quentin,
I’m back on the mob’s payroll.
They can buy my body,
Sure they can’t buy my soul.

I’m working out of Stockton,
I’m weighing in at two-o one.
But there’s a man in the front row,
Sent down from the mob with a gun.

For `Kid` Gloves, I’m back on the street.
`Kid` Gloves, the master to beat.
`Kid` Gloves, I’ll do anything but dive.

Well, they bought me out of Quentin,
They’ve gone and placed their bets.
I’ve got to throw the fight,
Just to save my neck.

Saying `yes` to the set-up,
Made me feel so cheap.
But the street felt good,
Only got myself to beat.

Oh….
`Kid` Gloves, I’m fast on my feet,
`Kid` Gloves, the master to beat.
`Kid` Gloves, I’ll do anything but cry.

`Kid` Gloves, I’m back in the ring.
`Kid` Gloves, I’ll fight anything.
`Kid` Gloves, I’ll do anything but dive.

Yeahhhh…woooo….

A deal is a deal,
But you know you just can’t win.
But the mob ought to know,
My conscience is wearing thin.

They sprung me out of Quentin,
I’m back on the mob’s payroll.
They can buy my body,
Sure they can’t buy my soul.

I’m working out of Stockton,
I’m weighing in at two-o one.
There’s a man in the front row,
Baby bring him down, he’s got the gun.

Yeahhh….

`Kid` Gloves, I’m back on the ring.
`Kid` Gloves, I’ll fight anything.
`Kid` Gloves, I’ll do anything but dive.

`Kid` Gloves, I’m back on the street.
`Kid` Gloves, the master to beat.
`Kid` Gloves, I’ll do anything but cry.

Yeah….

Well, they burned me out of Quentin
They’ve gone and placed their bets.
I’ve got to throw the fight,
Just to save my neck.

Saying `yes` to the set-up,
Made me feel so cheap.
But the street felt so good,
Only got myself to beat.

`Kid` Gloves, I’m back on the street,
`Kid` Gloves, the master to beat.
`Kid` Gloves, I’ll do anything but dive.

`Kid` Gloves, I’m fast on my feet.
`Kid` Gloves, the master to beat.
`Kid` Gloves, I’ll do anything but dive.

Yeah…

Yeahhh….

May sees the launch of King of the Outback, the sixth book in the popular Fightcard series – and my literary debut (writing as Jack Tunney). Accordingly, in a month long celebration, Permission to Kill will be looking back and some of the highlights – and lowlights – of boxing in film and literature – and in music too.

For an up-to-date direct connection with the Fightcard series check out the home page, or for you youngsters, you can follow the Facebook Fan Page.

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The Fight

Author: Norman Mailer
Publisher (Great Britain): Hart-Davis, MacGibbon Ltd
First Published: 1976

The Rumble in the Jungle, the fight between George Foreman and Muhammad Ali, which took place in Kinshasa, Zaire, on October 30, 1974 (originally scheduled for September 25) is now looked upon as one of the great fights of the Twentieth Century. And Norman Mailer’s book, The Fight is a fly on the wall look at that epic battle.

The hardest thing to adapt to at the start of The Fight, is Mailer’s technique of referring to himself in the third person, as if he were somebody else following Mailer around. But once you get past that conceit, there is a fascinating tale to be heard.

But there is a reason for the ‘third person’ conceit. Before this book, Mailer had been criticized for injecting himself into the articles and reports he had written. A good journalist is supposed to be a distant observer and simply report the facts. But Mailer would become a part of the event he was reporting on, and in his way, he was altering and influencing the course of events… and as such, could never be truly detached and impartial.

Of course, The Fight is no different. Mailer is very much a part of the story — not only reporting on the fight, but at one point, even training with Ali — they go for a jog at 4:00 am. But to me, that only adds to the authenticity of the tale. It may not be ‘on the spot’ reporting, but as a document of a larger than life, life event, it is first rate — totally in keeping with the epic proportions of the fight itself.

If you are familiar with the film, When We Were Kings, you will be familiar with most of this tale. However, Kings, from the very start, is shown from predominantly the point of view of Ali’s camp. And as such, Ali is (for want of a better term) the hero, and when he wins the fight it is a powerful cinematic moment. Mailer’s book isn’t so one eyed, or black and white. I think it is fair to say that Mailer was pro Ali, but not to the point where his story paints George Foreman as a villain.

The other eye opener that Mailer presents in The Fight, is his description of President Mobutu’s Zaire. It is clearly a land of have, and have nots – and the press were clearly discouraged from venturing into the world of the ‘have-nots’.

The Fight tells an excellent tale about two extraordinary men, fighting it out for the greatest sporting title in the world, the like of which we will never see again. If your a fight fan, it is a core piece of literature — a must read. Thankfully it is still in print — and easy to obtain.

May sees the launch of King of the Outback, the sixth book in the popular Fightcard series – and my literary debut (writing as Jack Tunney). Accordingly, in a month long celebration, Permission to Kill will be looking back and some of the highlights – and lowlights – of boxing in film and literature – and in music too.

For an up-to-date direct connection with the Fightcard series check out the home page, or for you youngsters, you can follow the Facebook Fan Page.

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Gentleman Jim: Image Gallery

May sees the launch of King of the Outback, the sixth book in the popular Fightcard series – and my literary debut (writing as Jack Tunney). Accordingly, in a month long celebration, Permission to Kill will be looking back and some of the highlights – and lowlights – of boxing in film and literature – and in music too.

For an up-to-date direct connection with the Fightcard series check out the home page, or for you youngsters, you can follow the Facebook Fan Page.

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Rocky – Novelisation

Author: Julia Sorel
Based on a Screenplay by Sylvester Stallone
Publisher: Ballantine Books
Published: 1976

When I was a kid I used to love movie tie-in books (I still do). Until I was fifteen, home video didn’t exist, and films took at least six years to appear of commercial television. So if you really liked a movie, and wanted to relive it, after it had left the cinemas (or in my case, ‘drive-in’), you had to buy the tie-in novel. Tie-in novels are a mixed bag. I have read some great ones – I loved Norman Winski’s The Sword and the Sorcerer, Vonda N McIntyre’s Star Trek II, II, IV, and Campbell Black’s Raiders of the Lost Ark novelisations. And I have read some clunky ones too. Rocky, is one of the clunky ones.

I don’t know if Julia Sorel is a pen name for Stallone, as the copyright for the book is attributed to Stallone rather than Sorel. But whoever wrote it, it is a choppy read, with some pretentious descriptions of the breaking day. But one thing I have always enjoyed about many tie-in novels, is there is chance that you may get more than the movie. Many of these novels are written on earlier versions of the script and before editing, so the book gives you a sneak-peak into the original vision of the writer.

Rocky at its best, is like that. There are a few scenes that didn’t make it into the film, such as a confrontation with ‘Dipper’ (the fighter who got Rocky’s locker) during a press conference with Creed. The language is also a little stronger in the book, than the movie. There is also one joke that was excised from Rocky, but would be recycled for Rocky II. These little nuggets, are the joy that comes from reading a book like this. If you’re a boxing fan, you wouldn’t read it for the fight description. Even if you a Rocky movie fan, you’re not going to find a lot of meat here (beyond the frozen kind, Rocky pounds on).

If you’re a Rocky fan, in this digital age, you’re better off watching the film one more time than delving into this curious bit of ephemera.

May sees the launch of King of the Outback, the sixth book in the popular Fightcard series – and my literary debut (writing as Jack Tunney). Accordingly, in a month long celebration, Permission to Kill will be looking back and some of the highlights – and lowlights – of boxing in film and literature – and in music too.

For an up-to-date direct connection with the Fightcard series check out the home page, or for you youngsters, you can follow the Facebook Fan Page.

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Street Fightin’ Man

Okay, it’s not about boxing, but it’s the Stones, ya know!

Taken from the Maysles Bros. film Gimme Shelter. November – 1969 at Madison Square Garden – which of course, has hosted its fair share of boxing matches.

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Superbout: Hagler v Leonard

Billed as ‘The Superfight’, on April 6, 1987, Marvellous Marvin Hagler and Sugar Ray Leonard battled it out for the WBC Middleweight Championship, in front of 15,000 fans at a packed outdoor arena at Caesar’s Palace in Las Vegas. Among those fans were celebrities such as Frank Sinatra, Gene Hackman, Bo Derek, Joan Collins, Whoopie Goldberg and Billy Crystal.

Hagler was the reigning middleweight champion, and was expected to win easily. Sugar Ray, on the other hand had only had one fight in the preceding five years, and at the age of 30, it was believed he was beyond his prime, and would not have the strength and stamina to keep up with his younger opponent.

As the fight started, Sugar Ray came out dancing and boxing, circling his opponent. Hagler was unable to catch him. Further confusing matters, Hagler started fight in an orthodox stance (right handed), rather than his natural southpaw (left-handed) style. All through the first three rounds, Hagler switched back and forth between fighting right and left handed, and this possibly cost him the first two rounds.

However, by the fifth round, Sugar Ray was slowing down a bit, and Hagler began to find his length, and his punches started landing. But even then, Ray’s counter-punching from the odd occasion, when he was trapped on the ropes was effective.

By the ninth, both men were exhausted, but not willing to give up. The exchanges were still coming often and ferociously. At the end of the twelfth, both men returned to their corners believing they had won the fight. The result was a split decision. Two judges awarded the fight to Leonard, while the third said Hagler.

Boxing is a sport, and much like football, soccer, or rugby, when you follow a team, watching and barracking, it is easy to become one-eyed, seeing only your teams strengths, and the weaknesses often shrugged off as poor refereeing or umpiring. I think it is the same in boxing. I admit, I wanted Sugar Ray to win, so when I watched the fight, I see pretty much a clear victory for Sugar Ray. Ray’s body language, and showboating could have a bit to do with my perception too. To me, everything he did, said I am winning. But if you see it differently, I can understand that too. I don’t think Hagler lost the fight, I simply believe Sugar Ray won, if that makes sense.

The result was controversial, but I think Hagler himself, after the fight, suggested where he went wrong. He said, ‘I won. I took everything he had.’ Even though Hagler was suggesting that he had won, he had also inadvertently admitted how many times, Leonard’s gloves found their target.

Even though, to this day, the result is still disputed, there is no disputing that this was a great fight, and certainly lived up to the hype that accompanied the event.

As an adjunct, I remember how excited I was when, two years later, Sugar Ray took on Roberto Duran, in a fight that was called ‘Uno Mas’ – One More – as Leonard and Duran had fought some epic battles previously. I was working at a screenprinting company at the time, and a colleague and I were so gee’d-up about the fight, we copied the newspaper adverts, and turned it into T-Shirts which we printed ourselves for the event.

Suitably attired, on the day of the fight, we left work early (I believe it was on a Friday), and went to a hotel that was screening the fight. This was before the days of Pay TV in Australia, so if you wanted to see a special event like this, you had to find a hotel, or sportsclub that was screening the bout. The tiny bar was packed, shoulder to shoulder, as we stared up at the tiny screen and watched the fight. Unfortunately, in the history of boxing, that particular bout was possibly one of the most overhyped and boring presentation of the fistic arts I have ever witnessed.

But the Hagler v Leonard match up is one of the great bouts, and if you haven’t seen it, it’s worth checking out. It is readily available on DVD, and I haven’t checked, but I’d guess somebody would have uploaded it to Youtube.

May sees the launch of King of the Outback, the sixth book in the popular Fightcard series – and my literary debut (writing as Jack Tunney). Accordingly, in a month long celebration, Permission to Kill will be looking back and some of the highlights – and lowlights – of boxing in film and literature – and in music too.

For an up-to-date direct connection with the Fightcard series check out the home page, or for you youngsters, you can follow the Facebook Fan Page.

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Fat City: Poster Gallery

May sees the launch of King of the Outback, the sixth book in the popular Fightcard series – and my literary debut (writing as Jack Tunney). Accordingly, in a month long celebration, Permission to Kill will be looking back and some of the highlights – and lowlights – of boxing in film and literature – and in music too.

For an up-to-date direct connection with the Fightcard series check out the home page, or for you youngsters, you can follow the Facebook Fan Page.

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