Goliath and the Sins of Babylon (1963)

AKA: Maciste, the World’s Greatest Hero
Director: Michele Lupo
Starring: Mark Forest, José Greci, Giuliano Gemma, Mimmo Palmara, Erno Crisa
Music: Francesco De Masi

Goliath and the Sins of Babylon
is one of the better peplum films I have watched recently. This is due to two reasons. The first is the cast, and the second is that it seems to have had more money thrown at it than most.

The film opens in the town of Methra, which is under the control of the Babylonians. Each year, as a tribute to their rulers, the Methranites send thirty young virgins to Babylon. As the girls are being rounded up, one of them tries to escape. Three soldiers capture her and man-handle her roughly. This doesn’t go over too well with Goliath (Mark Forest). He steps in and makes short work of the soldiers.

A midget (or a little person, if you prefer) who is hiding in a barrel strapped to a pack horse warns Goliath that more soldiers are on their way. I don’t know why Sword & Sandal epics have this fascination for ‘little people’ – they just do. And now, I must admit, if I see a S&S film and it doesn’t have a comic relief midget, I don’t feel I have got my money’s worth.

But back to the story. Goliath doesn’t seem too perturbed that more soldiers will come after him. The ‘little guy’ on the other hand, is worried, and runs off to tell two burly pals that Goliath is in trouble. The two guys happen to be Xandros (Giuliano Gemma) and Alceas (Mimmo Palmara). The three men team up and plan to overthrow the Babylonians.

At the top I talked about the budget and the cast. Expanding upon that, the money was put to good use, firstly on a ocean battle, where two ship engage in a bit of pirate style warfare, and secondly on a chariot race. The race isn’t up to the standard, or provide the level of excitement as the race in Ben Hur, but then again, what would? As for the cast, the main actors are all pretty good. In other reviews I have been farely scathing in my assesment of Mark Forest’s acting ability, but have to admit that he is pretty good in this. He is ably assisted by Giuliano Gemma and Mimmo Palmara. All three get a fair amount of screen time, and each has individual battles and opponents to overcome. Gemma comes off particularly well, displaying a degree of acrobatics that was never showcased in the Spaghetti Westerns that he is so famous for. With three male leads, unfortunately the female lead, José Greci doesn’t get much screen time. Of course, she still looks great though.

One of the highlights of the film is when the villain of the piece has captured Goliath and is about to torture him. Goliath is tied to a table which sits under a roof with holes in it. Housed in each hole is a spear, which is attached to a length of rope. When the connecting rope is cut, one of the spears drops down from it’s hole above. When the villain forces Xandros and Alceas to cut the ropes, it’s a waiting game as each spear falls. Which rope will release the spear that will kill Goliath?

I am far from an expert on peplum films. With each film I see I learn new things. Some of the ones I have seen so far, have had me wondering why the genre was so successful – but then I stumble on a film like this one, which was obviously made at the peak of the genre’s popularity, and it all becomes clear. At there best, peplum movies are damn good fun. They aren’t boring. And they don’t have to have poor visual effects and rubber monsters to entertain. This is one of the good ones.

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